אקורדים לשיר You Can Call Me Al של Paul Simon |
גרסה קלה
| Intro: |
| | F C | Bb F C F | |
| | F | Gm7 C | F | Gm7 C | |
| | F | Gm7 C | F | |
| F |
| A man walks down the street, |
| Gm7 |
| He says |
| C F |
| "Why am I soft in the middle now? |
| Gm7 |
| Why am I soft in the middle? |
| C F |
| The rest of my life is so hard |
| Gm7 |
| I need a photo-opportunity |
| C |
| I want a shot at redemption |
| F |
| Don't wanna end up a cartoon |
| Gm7 C |
| In a cartoon graveyard" |
| F Gm |
| Bone digger, bone digger |
| C F |
| Dogs in the moonlight |
| Gm C |
| Far away in my well-lit door |
| F |
| Mr. Beer Belly, Beer Belly |
| Gm C |
| Get these mutts away from me |
| F |
| You know |
| Gm |
| I don't find this stuff amusing |
| C |
| Anymore |
| F |
| Uh, if you would be my bodyguard |
| Gm7 C F Gm7 C |
| I can be your long-lost pal |
| F |
| I can call you Betty |
| Gm7 C |
| And Betty, when you call me |
| F Gm7 C F |
| You can call me Al |
| F |
| A man walks down the street, |
| Gm7 |
| He says |
| C |
| "Why am I short of attention? |
| F |
| Got a short little span |
| Gm7 |
| Of attention and |
| C F |
| Woah, my nights are so long |
| Gm7 |
| Where's my wife and family? |
| C F |
| What if I die here? |
| Gm7 |
| Who'll be my role model |
| C |
| Now that my role model is |
| F |
| Gone gone?" |
| Gm |
| He ducked back |
| C |
| Down the alley with some |
| F |
| Uh |
| Gm C |
| Roly-poly little bat-faced girl |
| F |
| All along, along |
| Gm C |
| There were incidents and accidents |
| F |
| There were |
| Gm C |
| Hints and allegations |
| F |
| Uh, if you would be my bodyguard |
| Gm7 C F Gm7 C |
| I can be your long-lost pal |
| F |
| I can call you Betty |
| Gm7 C |
| And Betty, when you call me |
| F Gm7 |
| You can call me Al |
| C F |
| You can call me Al |
| Bridge: |
| | Gm C | F | Gm C | |
| | F | Gm C | F | Gm C | |
| | F | Gm C | F | Gm C | |
| | F | Gm C | F | Gm C | |
| | F C | Gm7 F C F | |
| | F | Gm7 C | F | Gm7 C | |
| | F | Gm7 C | F | Gm7 C | |
| | F | |
| F Gm7 |
| A man walks down the street |
| C F |
| It's a street in a strange world |
| Gm7 |
| Maybe it's the third world |
| C F |
| Maybe it's his first time around |
| Gm7 |
| Doesn't speak the language |
| C F |
| He holds no currency |
| Gm7 |
| He is a foreign man |
| C F |
| He is surrounded by the sound |
| Gm7 |
| The sound |
| C F |
| Of cattle in the marketplace |
| Gm C |
| Scatterlings and orphanages |
| F |
| He looks around, around |
| Gm C F |
| He sees angels in the architecture |
| Spinning in infinity, he says |
| Gm C |
| "Amen," and, "Hallelujah" |
| F |
| Uh, if you would be my bodyguard |
| Gm7 C F Gm7 C |
| I can be your long-lost pal |
| F |
| I can call you Betty |
| Gm7 C |
| And Betty, when you call me |
| F Gm7 |
| You can call me Al |
| C F |
| You can call me |
| Gm C F |
| Na, na, na-na, na, na, na-na |
| Gm |
| Na, na, na-na, |
| C F |
| Na, na, na-na, na-na |
| Gm |
| Na, na, na-na, |
| C F |
| Na-na, na-na, na, na |
| Gm C |
| Na, na, na-na, na, na, na-na |
| Bridge: |
| | F | Gm C | F | Gm C | |
| | F | Gm C | F | Gm C | |
| | F | Gm C | F | Gm C | |
| | F | Gm C | F | Gm C | |
|  |
|
| | F C | Gm7 F C F | |
| | F C | Gm7 F C F | |
| | F C | Gm7 F C F | |
| | F C | Gm7 F C F | |
| F Gm7 C |
| If you'll be my bodyguard |
| Bridge: |
| | F | Gm7 C | |
| F Gm7 C |
| I can call you Betty |
| Bridge: |
| | F | Gm7 C | |
| F Gm7 C |
| If you'll be my bodyguard |
| Bridge: |
| | F | Gm7 C | |
| F Gm7 C |
| I can call you Betty |
| Bridge: |
| F F F F x2 |
| Ending: |
| | F | Gm7 C | |
דירוג אקורדים
0 דירוגים
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